When we were little, my sister used to save
everything. With the extravagant and gullible affection of childhood,
she would harvest toys, pictures, even little pieces of paper if they
were sufficiently "cute" and colorful (meaning purpley), to
go in a little treasure chest overflowing with what nobody else would
have considered valuable.
I did not understand sentimental attachments. I had
them, of course, but they didn't make sense to me. An object's
sentimental aspect comes from its associated memories and
feelings—things which are inherently inside your head and cannot be
taken away from you. If lost, they are things forgotten, which a mere
physical item can not bring back. So—if circumstance provides that
you misplace the item, or find it no longer worth the space it takes
up—what have you lost? Nothing important, so long as the important
part is still inside of you. L'essentiel
est invisible pour les yeux.
And yet, in June, as I piled and boxed my stuff on my
roommate's living room floor, an old stuffed horse and a blanket
tumbled out of the trash bag that had housed them for three years,
and a wave swept up and melted a side of my heart. These...feelings.
Come from images I can no longer remember (oh God, my brain, empty
fumes, I mean rooms, I mean how do you call the flipping mind
thingies that hold memory stuff) but they somehow—how?—still are
embedded in me. Strongly.
It's like... I used to remember all the important
things. Now, my mind's out of fuel and out of space. It's no longer
an empty bookshelf or even a full one, but a museum of the scars and
events of my life, its very structure a memorial to the history that
created it.
It's like... I'm no longer entirely inside of me.
I've left little pieces of me all around, without a map to find them
all, and the environment around me is the key that unlocks those
associations and brings them back.
* * *
I remember taking a walk in the waste field behind my
first apartment complex, climbing up on top of a pile of rocks,
fenced in by a net of wire to form a containing wall. A weed had
burst out of the caged rocks, and, given that it grew with no soil to
speak of, I admired its verve.
“When you transplant a plant,” Steve said from
beside me, also regarding it, “it’s the tiny little roots you
need to be careful of. You want to keep them intact as much as
possible.”
That surprised me. My train of thought switched
tracks. “Not the taproot?”
He shook his head. “The taproot is important as an
anchor, but that's not where the plant gets most of its water and
nutrients from. The smaller, more fibrous ones have the greater
surface area.”
As a recent transplant myself, and one who'd paid a
lot of attention to her anchor points, a lot of inexplicable things
abruptly made sense.
* * *
What makes a home a home? It's many things, but one
of the most elusive pieces comes from the thousand associations you
build up in a place over hours and years of simply being
there. You can't describe it, any more than you can consciously tell
your life story in minute detail from beginning to end. Nor can you
even remember exactly what it looks or sounds or smells like. But
when you're there with it again in the flesh, each detail is a key—a
key to a set of stories, habits, memories with an overlapping
spectrum of emotions—that opens the door to a past life, a past
self.
This is what I've lost, by starting over, in a new
place, with no former associations. But—it's never truly lost. For
better or for worse, my history is the same; I just need to find new
ways to strengthen my connections to whichever parts I want to keep
connected to.
(I wonder if this is the secret to happiness in old
age. Tie all your flashbacks to your happy memories. Make lots of
happy memories to tie back to.)
* * *
Sometimes, when I used to bike home from work, I used
to count it up as "making memories." The scenery didn't
change enough from day to day for there to be any one ride for me to
remember, but over time, I imagined that I'd beat out a path in my
mind strong enough that I'd look back on it vividly and feel some
sort of connection to it.
I biked that road the day before the day before I
left Austin. And it did,
it held something—something more than just the feeling of the
moment. There was
an echo there from times before... The time when I'd seen deer
crossing the road late at night. The times of relief, using my legs
after a long day at work. The daily view of the lake and its heron,
and a few, glorious maple trees in the height of autumn. The
construction pillars along the side of the road and the pop music
spilling all down the hill after the Top Golf there had finally been
completed.
I held the echoes
carefully next to the dry and real moment I was experiencing and
tried to feel all of them at once. (It's important, I guess, to feel
the weight of what you've experienced and the value of what you're
leaving behind when you tell a place good-bye.) And then I made it
larger. I tried to bring in the feeling of the wildflowers, the
endless sunny air; the goofiness and techiness and food and fun. The
sweat in the summer and in the dojo; the midnight light pollution
from the highway. The times I'd walked outside and skipped over to
the park; the times I'd gone to Wind Ensemble practice. The first
people I became friends with and the last people I became friends
with. The different places we played board games and the different
seasons we went kayaking. The smell of the juniper, the call of
grackles. The parkour gym. The church.
And the other
pieces... Getting tired from being too busy, getting busy because
things were missing and needed to be made up for. Times I tried to
help people who never got better. Times I hurt people I liked. The
times when I was irresponsible. The times I cried because I was
irresponsible. The times I tried to become better and the times I
failed over and over again anyway. Times I felt out of control. Times
people leaned on me anyway.
The times when I was
admired. The times where I wondered if anyone who liked or admired me
really knew anything substantive about me. The times I talked too
much. The times where someone saw beyond what I was saying.
The times I let
someone hurt me. The times I needed help from someone I barely knew
or couldn't pay back. The times where I connected with somebody. The
times where I had to give up...
* * *
I held all those
overlapping moments carefully, folding the corners back from their
edges and examining them piece by piece and then all together. I
waited, more patiently than I often do, for all those experiences to
percolate. And, tangled and woven together, I found myself holding a
nest of grungy and golden threads.
They were all so clear. Beads
of glowing, shining moments, so small, so precious. Completely
overwhelmed by gray and grunge.
No doubts: I want to
go back home.
This should have
been “home.”
A bright future. But
another failure.
* * *
It's a strange feeling—coming back to a place that you know you
knew, a place you already know you love, with barely a memory of why.
Everyone I recognize I'm happy to see, as though my memory hands me
the “overall positive experience” banner without any indicator of
how strong a history was used to make the assessment. And yet, at the
same time, there's a feeling of strangeness that jars with the strong-and-immediate attachment.
There's a new shopping center in my town. A classmate makes
jokes about a vice I never knew him for. People have moved. Some have
married. Stuff has changed.
It's eerie, because I still already love them anyway. But that's ok.
There are reasons for all these feelings.
* * *
I stand at the edge of the backyard,
thumbs in pockets, regarding the trees skeptically. The leaves are
golden. A downy woodpecker pecks up a pine tree. For all the times I
told people I missed the trees here, the immediate rush of affection
is entirely memorized. I stare at them for a few minutes, challenging
them to inspire me.
The woodpecker flits to another
tree. A squirrel takes a few hops through crunchy leaves. It's nice,
but it's hardly magical. I frown up at the woods appraisingly, then
go to the shed and grab a hoe.
The garden bed has gone completely
to seed, so I can get a good workout from hacking the weeds up by the
roots. After half an hour or forty-five minutes of this, I lean on it
and stare up at the trees again.
There are more birds; the woodpecker
is gone, but there are two tufted titmice making squawking calls much
bigger than they are. A small flock of sparrows or wrens flies
overhead, and a cardinal chirps out of a nearby bush. The squirrels
in the leaves keep changing their minds about whether they should run
up a nearby tree or not—they take a three foot dash, pause, then go
about their ground-sniffing business as though nothing whatever's the
matter. For some reason, I find this amusing.
I set the hoe aside and meander onto
the trail that goes farther back into the woods. I find scars on some
bark, collect sweet-gum leaves, startle a doe when I try to mimic a
tree-climbing squirrel. She doesn't go very far, though, and lifts
her white tail daintily in my direction as she goes back to browsing.
I think I'm an undernourished
person, trying to compensate for long-term starvation in a single
sitting. It's like a thunderous rainstorm after a drought; even good
things don't enter immediately. Absorption needs soft rain on soft
soil, and time to percolate.
Woods, I address them, though
not audibly, I think I'd better acknowledge that I don't
know you like I used to. So, I'll stop pretending like I do, and
we'll get to know each other again in the usual way.
It'll probably go faster; we've got a good foundation. Regardless,
I'm looking forward to it. Last time was fun.
I'm re-knitting myself into this place. It's the intangible aspect of coming home.